I did the apparently obligatory two drawings, and they appear exceptionally sketchy and half-assed.
I noticed the predominant colors in the still life are red, yellow, and blue, and it made me think about Seurat and how in pointilism the separate colors mix as light, and therefore in order to make something appear yellow, he would have to use a combination of red and green dots. I like that the still life I'm copying is composed around red yellow and blue. It makes me think about the connection between the light of the real world which shine and reflects off of the illusionary paint, while at the same time the pigment has mass and is material whereas light is not (I guess. I'm not really a scientist).
I got a couple of things accomplished today. I cut out the paper for the major copy, the one I'll carry around with me. Also I put masking tape on my camera viewscreen to create sights so my photos will be hopefully very close in composition.
I told my roommate that I wouldn't be home for a little while next week. I was thinking the other day how funny it'd be if while I was gone he stole all my stuff. It's weird that a home is a more secure place for things than a parking lot or sidewalk. It's not like our houses have defense systems or booby traps (well, I guess if you're cool your house probably does). It seems to be mostly the fact that the stuff in your house is hidden from view. Locks help too I guess, but I hardly ever lock up. I guess there's a sense of territory to the concept of house that just doesn't exist in the concept of "pile of belongings out in the open". Like, the invasion of someone else's territory is maybe more taboo and unthinkable than stealing.
That reminds me, before I left the house to come here and scan pictures, I heard this really loud bird chirp, and at first I thought it was like an internet alert noise going off, but quickly realized it was a bird. And the sudden knowledge that I was in his presence, in, from his point of view, a part of his territory, I found that very interesting. Like, everyplace within earshot of his song is a place where he is asserting his existence, and his pride. I think that art is a kind of chirp like that, something we do to kind of assert ourselves and make ourselves known, and of course there's a very real element of territorialism in things like graffiti. I like the thought of the drawing I carry being, like, my bird song, and I'm asserting myself to everyone who sees it. It's like I'm saying wherever I go "You are in the presence of a proud young artist!" . . . . or more likely "You are in the presence of a homeless crackpot!"